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anti /// / 立法 4 \ 13 seren klel ante \ [ ova ] \ kaxo tu et tei al kadkaxo この法は立法に反する、違憲だ \
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＜＜第１幕＞＞ 物語はスコットランド王の宮廷で起こる。 ＜第１場＞ 王宮の居室。 鏡の前で着飾っているジネヴラ。 ダリンダ、小姓と侍女達。 Cavatina GINEVRA 愛らしさと色気と明るさで 私があの人の目に もっと美しく映りますように。 （彼女が鏡から立ち上がると、小姓と侍女達出て行く） Recitativo DALINDA つまり王女、恋してらっしゃるのね？ GINEVRA 私の心は恋する思いをかき立てる 気高い炎で燃えているわ。 DALINDA 王であるお父様は それを認めていらして？ GINEVRA むしろ御推奨よ。 DALINDA お愛し続けなさいな、心ゆくまで。 （出て行こうとする） ＜第２場＞ ジネヴラ、ポリネッソ、戻って来たダリンダ。 POLINESSO ジネヴラ？ GINEVRA まあ、厚かましい！ちょっとダリンダ！ POLINESSO あなたの美しい瞳から離れていると 私は生きた心地がしない。 だから許してください、もしあなたに・・・ GINEVRA 公爵、今までだってあなたに会うのが 迷惑だったのに 愛を告白した今は もっと迷惑よ。 Aria GINEVRA ティシフォネ（復讐の女神）だって あなたほど私の目に おぞましく映らないわ。 私達をからかう愛の神は あなたには燃える心を 私には氷の心を与えたのね。 （出て行く） ＜第３場＞ ポリネッソとダリンダ。 Recitativo POLINESSO 高慢ちきな美女め！ DALINDA 公爵様、努力しても無駄ですわ・・・ 彼女は諦めるのです、だってアリオダンテが・・・ POLINESSO …そいつがオレのライバルか？ DALINDA いえもう二人は相思相愛で。 POLINESSO おやじは何と言ってるんだ？ DALINDA 王も二人の仲を認めていますわ。 もう公爵様に勝ち目はないでしょう？ （愛情を込めて彼を見つめながら） Aria DALINDA 瞳を開いて 他の人の秘めた思いに気づいてください。 あなたに恋焦がれている人がいるのに まだあなたは気づいていない。 口には出さずとも かすかな溜息で 彼女はあなたに知らせる ああ！この胸に燃える美しい炎を。 （出て行く） ＜第４場＞ ポリネッソ、ひとりで。 Recitativo POLINESSO オレの望みよ、どうする？ こうしてお前は私オレを捨てるのか？ いや、やるんだポリネッソ！ ダリンダが貴様に愛を告白したじゃないか。 ライバルを王座から蹴落とすために 大芝居を打ってやるぜ。 Aria POLINESSO ボロをまとった策略は 役立たずの 嫌われものだ。 それはごまかしと言う。 だがもしより美しく 着飾ろうものなら 男らしく上手くやったと 褒められる。 （出て行く） ＜第５場＞ 王宮の庭。 アリオダンテ、後にジネヴラ。 Cavatina ARIODANTE ここでは小川も芝もブナの木も 彼らの言葉で 恋する私に愛を語っている。 Recitativo ARIODANTE 私は永遠に君を愛する、私の大切な人よ。 （ジネヴラが現れる） GINEVRA 永遠に変わらぬ心を・・・私もあなたにそう言うわ。 ARIODANTE 君は私の君主、私はその奴隷だ。 GINEVRA アリオダンテ 愛の神のおかげで 恋する魂は もう君主ではないわ。 そして心を支配する人は奴隷ではない。 ARIODANTE びっくりして ちょっと信じられないが。 GINEVRA じゃあ私の右手を あなたへの愛の証に。 Duetto GINEVRA E ARIODANTE この手を取って（取ります） 私の忠誠の証（褒美）です。 過酷な運命の 手ひどい仕打ちも 私の中のこんなにも甘美な情熱を 消すことはできないでしょう。 （手を差し伸べながら一緒に歌っていると、王が二人の間に入って、アリオダンテと娘の手を取る） ＜第６場＞ アリオダンテ、ジネヴラ、王、オドアルド、そして衛兵。 Recitativo RE（王） うろたえることはないぞ 美しい恋する魂達よ！ GINEVRA お父様！ ARIODANTE 我が王！ RE 静かに！ 満ち足りたお前達の仲間に わしも入れてくれないかね。 （ジネヴラに） お前は我が人生と 心の一部なのだから。 （アリオダンテに） そして君はもう一方の・・・ ARIODANTE （ひざまづいて） 王たるあなたの御もとに・・・ RE 立つのじゃ、愛するアリオダンテよ。 わしもこの歳になると 娘のことや王国の将来を考えねばならぬ。 お前以外に花婿として王として相応しい者が 思い浮かばないのじゃ。 GINEVRA 神よ！大きな喜びを・・・ ARIODANTE 素晴らしい未来を・・・ GINEVRA …この心が保ち続けるなら・・・ ARIODANTE …この心が受け入れるなら・・・ ARIODANTE E GINEVRA …これは愛の奇跡というもの。 RE さあ娘よ行くのじゃ、近づく婚礼に備えて。 お前の心にはさらなる満足を その顔にはよりたくさんの装飾品を その髪にはより多くの宝石を。 Aria GINEVRA 飛べ、愛の神達よ 大いに喜ぶ二つの美しい心を 祝福するために！ あまりの嬉しさに 言葉もないほど ただただ喜びがほとばしる。 （出て行く） ＜第７場＞ アリオダンテ、王、オドアルド、衛兵。 Recitativo RE すぐに行け、オドアルド、祝賀の準備だ。 そして高貴な婚礼で 明日が幸せと喜びの日になるように。 ODOARDO そしてこの王宮、王国、世界が喜びで満ちるように。 （出て行く） RE そしてお前、ジネヴラと同じく 愛するアリオダンテよ 王の手からこの贈り物を受けるがよい。 我が身と娘と王座以上のものを わしはそなたに与えることはできない。 Aria RE ラッパの音と共に この喜びを広めるため この知らせが世界中に伝わるように。 運命はこれ以上喜ばしい日を 送り届けることはできないと 天がほがらかに鳴り響く。 （出て行く） ＜第８場＞ アリオダンテ、ひとりで。 Recitativo ARIODANTE おお、幸せな私の心よ！ 幾多の苦しみを経た後 ついに満足を得る時が来たのだ。 Aria ARIODANTE 変わらぬ愛の翼で 愛の神は空を舞い 信頼と希望を 心の中で勝利させる。 もう辛い運命を 恐れる必要はなく それどころか 美しい大切な人と一緒なら いつも心は喜びに満ちるのだ。 （出て行く） ＜第９場＞ ポリネッソ、ダリンダと一緒に話しながら入って来る。 Recitativo POLINESSO お前の魅力は分かっているぜ、愛するダリンダ。 で、お前の力を借りて 意に沿わぬ「くびき」を振り落とし ジネヴラと彼女の結婚と王国を 茶番にかけてあざ笑ってやりたいのさ。 DALINDA （何ですって？ああ、幸せ！） あなたの指図なら、公爵様・・・ POLINESSO そうか、では今夜 ジネヴラが眠ったら あいつの服を着て 上から下まであいつそっくりに装い 髪型もあいつのように整えて・・・ DALINDA それから？ POLINESSO 王宮の庭の 隠しドアから ジネヴラの振りをして あの女の部屋へオレを入れろ。 DALINDA でも私の貞節は？ POLINESSO オレは高貴な女性に相応しい扱いを 心得ているさ。 これでまだ決心はつかないのか？ DALINDA 愛の力よ！ 愛する人を拒むなんてできないわ。 POLINESSO そうしたらオレの心は全てお前のものだ。 Aria POLINESSO 美しい瞳よ、そうだお前が 今日オレの傷口を癒すのを期待しているぞ。 そしてオレの心からの愛情を捧げよう。 愛らしい眼（まなこ）よ！ （出て行く） ＜第10場＞ ダリンダとルルカニオ。 Recitativo LURCANIO ダリンダ、もう日は西に沈んだが 君の美しい瞳には より輝く太陽が昇り 私達を照らしている。 DALINDA まあ、私をからかって。 LURCANIO 君は私が望む唯一の女性だ。 DALINDA でも私はあなたのためでは・・・ LURCANIO 君は私の憧れなんだ。 DALINDA もっと素晴らしいものに あなたの情熱を捧げて。 （出て行く） Aria LURCANIO 我が太陽の愛らしい光が 今私から消えていく。 一体なぜ？ その光がなければ私は生きていけない。 そこから発する情熱は 私の心に生気を与え 私に火を付け 今も燃え 私が死ぬまで燃え続けるだろう。 （出て行く） ＜第11場＞ ダリンダ、ひとりで。 Recitativo DALINDA ああ、この恋する心は 他の人への炎で燃えているのよ。 そしてずっと永久に変わらないわ。 Aria DALINDA 初めての愛の炎は この心にとてもいとおしいから 恋する魂は それを消そうとはしないわ。 私は心変わりしないし 決してつれなくすることもないわ。 この心は永遠に 彼を思うの。 （出て行く） ＜第12場＞ 魅惑的な渓谷。 アリオダンテ、辺りの美しさに見とれながら。 Recitativo ARIODANTE どこもかしこも 喜びに心弾んでいるようだ。 ＜第12場＞ ジネヴラとアリオダンテ。 Recitativo GINEVRA どんな幸運の星が 私をあなたに導くのかしら、愛する人？ ARIODANTE 君がその星なんだよ。 GINEVRA 心穏やかに、あなた。 もう私達のゴールはすぐそこよ。 私達の幸せな婚礼が明日を彩るでしょう。 ARIODANTE ここで幸せに暮らしている 優美なニンフ達、恋する羊飼いの娘達よ。 踊りと歌で 私達の喜びを祝福しておくれ。 Sinfonia. Duetto GINEVRA E ARIODANTE 私の心に この上なき喜びと希望が芽吹くなら それは忠実な愛のたまもの。 移り気な愛しか知らぬ者は 本当の喜びや幸福を 手にする望みはないのだ。 （合唱） CORO 美しい魂達よ、忠実な恋人達よ お前達の愛を大いに楽しみなさい。 それは心に至福をもたらす。 GINEVRA E ARIODANTE 私の心に この上なき喜びと希望が芽吹くなら それは忠実な愛のたまもの。 CORO, GINEVRA E ARIODANTE 皆が 歓喜するお前達の 変わらぬ愛と希望に 倣おうと努めるように。 Ballo Ninfe, Pastori e Pastorelle. Gavotte Musette I Lentement Musette II Andante Allegro Coro CORO, GINEVRA E ARIODANTE 皆が 歓喜するお前達の 変わらぬ愛と希望に 倣おうと努めるように。 ATTO PRIMO L azione si svolge presso la corte del Re di Scozia SCENA I° Gabinetto Reale Ginevra allo specchio in atto di acconciarsi. Dalinda, paggi e damigelle. Cavatina GINEVRA Vezzi, lusinghe, e brio rendano il volto mio più vago al mio tesor. S’alza sullo specchio, e li Paggi, e le Damigelle partono. Recitativo DALINDA Ami dunque, o signora? GINEVRA Avvampa il core di nobil fiamma, che vi accese amore. DALINDA Il Re tuo genitore, l’approva? GINEVRA Anzi il fomenta. DALINDA Segui ad amar, fa’ l’alma tua contenta. in atto partire SCENA II° Ginevra, Polinesso e Dalinda, che ritorna. POLINESSO Ginevra? GINEVRA Tanto ardire? Olà Dalinda! POLINESSO Lungi da’ tuoi bei rai viver non può il mio cor; quindi perdona se a te… GINEVRA Duca, se mai fosti noioso oggetto a gli occhi miei, or che amante ti scopri, or più lo sei. Aria GINEVRA Orrida a gl’occhi miei, quanto, signor, tu sei Tesifone non è. Amor, di noi per gioco, il core a te di foco di gelo fece a me. Parte. SCENA III° Polinesso e Dalinda. Recitativo POLINESSO Orgogliosa beltade! DALINDA Signore, in vano tenti… lascia d’amarla. Io credo che Ariodante… POLINESSO …è mio rival? DALINDA Anzi gradito amante. POLINESSO E il genitor? DALINDA Approva gli affetti lor, e che sperar tu puoi? Guardandolo teneramente Aria DALINDA Apri le luci, e mira gli ascosi altrui martiri v’è chi per te sospira, e non l’intendi ancor. E in tacita favella col fumo de’ sospiri, ti scopre, oh Dei! la bella fiamma, che le arde il sen. Parte. SCENA IV° Polinesso solo. Recitativo POLINESSO Mie speranze, che fate? Cosi mi abbandonate? No. Fa’ cuor, Polinesso! Giacché Dalinda a te si scopre amante, alziam mole d’ingegno, per atterrar il mio rivale al regno. Aria POLINESSO Coperta la frode di lana servile, si fugge, e detesta, e inganno s’appella. Si chiama con lode prudenza virile s’avvien che si vesta di spoglia più bella. Parte. SCENA V° Giardino reale. Ariodante, poi Ginevra. Cavatina ARIODANTE Qui d’amor nel suo linguaggio parla il rio, l’erbetta, e ‘l faggio al mio core innamorato. Recitativo ARIODANTE T’amerò dunque sempre, idolo mio. Ginevra le si presenta GINEVRA Alma costante pur, ti dico anch’io. ARIODANTE Tu sovrana, io vassallo! GINEVRA Ariodante, mercè del Nume Arciero più sovrana non è quest’alma amante; servo non è, chi ha del mio cor l’impero. ARIODANTE Quasi attonita l’alma ancor nol crede. GINEVRA Dunque la destra mia, di cio che t’offre amor pegno ti sia. Duetto GINEVRA E ARIODANTE Prendi (prendo) da questa mano il pegno (il premio) di mia fé. Del fato più inumano il barbaro rigore, mai così bell’ardore estinguer possa in me. Mentre replicano il Duetto, porgendosi la mano, il Re entra nel mezzo, e prende la mano di Ariodante e della figlia. SCENA VI° Ariodante, Ginevra, Re, Odoardo e guardie Recitativo RE Non vi turbate, bell’ alme innamorate! GINEVRA Padre! ARIODANTE Mio Re! RE Tacete! e dei vostri contenti me a parte ancor prendete, a Ginevra che della vita, e degli spirti miei una parte sei tu; ad Ariodante l’altra tu sei. ARIODANTE in atto di inginocchiarsi Alle tue reggie piante … RE Sorgi, amato Ariodante; in questa età degg’ io, alla figlia pensar, pensar al regno, né s’offre al pensier mio di te più degno sposo, e Re più degno. GINEVRA A tanta gioia, oh Dei! ARIODANTE A tanta sorte… GINEVRA …Se resiste il cor mio… ARIODANTE …Se il cor non muore… ARIODANTE E GINEVRA …È prodigio d’amore. RE Or va’ figlia, comparti per le nozze vicine più contenti al al tuo core, più vezzi al volto tuo, più gemme al crine. Aria GINEVRA Volate, amori, di due bei cori la gioia immensa a celebrar! Il gaudio è tanto, che come è quanto, dir non saprei debba esultar. Parte. SCENA VII° Ariodante, Il Re, Odoardo e guardie. Recitativo RE Vanne pronto, Odoardo, le pompe a preparar; e il novo giorno sia coll’ alto Imeneo lieto e giocondo. ODOARDO E goda questa reggia, il regno, il mondo. parte RE E tu al par di Ginevra, amato Ariodante, dalla man del tuo Re gradisci il dono; più darti non poss’io, se me stesso ti dò, la figlia, e il trono. Aria RE Voli colla sua tromba la fama in tutto il mondo le gioie a pubblicar! Il ciel lieto rimbomba, che giorno più giocondo sorte non può mandar. Parte. SCENA VIII° Ariodante solo. Recitativo ARIODANTE Oh, felice mio core! dopo tanti tormenti pur giungesti alla sfera dei contenti. Aria ARIODANTE Con l’ali di costanza alza il suo volo Amor, fa trionfar nel cor, fede, e speranza. Non devo più temere di sorte il rio tenor, ma col mio bel tesor, sempre godere. Parte. SCENA IX° Polinesso e Dalinda, parlando assieme. Recitativo POLINESSO Conosco il merto tuo cara Dalinda, e col tuo mezzo io voglio scuotere il giogo indegno, render scherni a’ disprezzi lasciar Ginevra, e le sue nozze, e il regno. DALINDA (Che sento? oh me felice!) Al tuo cenno, Signor… POLINESSO Si in questa notte quando dorme Ginevra, ti adorna di sue vesti, cerca imitarla in tutto, disponi come lei le chiome…. DALINDA E poi? POLINESSO Per la segreta porta del reale giardino nelle sue stanze m’introduci, e fingi di Ginevra il sembiante. DALINDA Ma il mio onor? POLINESSO So il rispetto che si conviene a nobile donzella. E non risolvi ancor? DALINDA Forza d’amore! nulla si può negar a chi s’adora. POLINESSO Tutto sarà per te poscia il mio core. Aria POLINESSO Spero per voi, sì, sì begli occhi in questo dì sanar mie piaghe. E a voi sacrar voglio gli affetti del cor mio, pupille vaghe! Parte. SCENA X° Dalinda e Lurcanio. Recitativo LURCANIO Dalinda, in occidente già cade il sole, e ne’ bei lumi tuoi un sol più chiaro ecco ne spunta a noi. DALINDA Signor, meco tu scherzi. LURCANIO Sei la mia sola speme. DALINDA Non son per te, Signor… LURCANIO Sei l’idol mio. DALINDA Ergi a scopo maggiore il tuo desio. Parte Aria LURCANIO Del mio sol vezzosi rai v’ascondete ora da me; ma perchè? Senza voi viver non so. Quell’ardor, che da voi scese, che m’accese, e m’arde ancora, e arderà per sin ch’io mora quel la vita al cor donò. Parte. SCENA XI° Dalinda sola. Recitativo DALINDA Ah! che quest’alma amante arde per altro foco, e in eterno sarà sempre costante. Aria DALINDA Il primo ardor è così caro a questo cor, che estinguerlo non vuol quest’alma amante. Io son fedel, né mai crudel, e sempre a lui sarà il cor costante. Parte. SCENA XII° Valle deliziosa. Ariodante, ammirando la bellezza del loco. Recitativo ARIODANTE Pare, ovunque mi aggiri, che incontri il gaudio e ‘l brio. SCENA XIII° Ginevra e Ariodante. Recitativo GINEVRA E qual propizia stella mi guida a te, mio ben? ARIODANTE Tu sol sei quella. GINEVRA Consolati, mio caro; già siam vicini al porto, e il novo giorno del bel nostro Imeneo ne anderà adorno. ARIODANTE Felici abitator di questo suolo, Ninfe leggiadre, e amanti pastorelle, le nostre gioie intanto venite a celebrar col ballo, e il canto. Sinfonia. Duetto GINEVRA E ARIODANTE Se rinasce nel mio cor, bella gioia, bella speme, la produce un fido amor. Chi non sa costante amar, vero gaudio, vero bene non isperi di trovar. Coro CORO Si godete al vostro amor, alme belle, fidi amanti, questo fa beato il cor. GINEVRA E ARIODANTE Se rinasce nel mio cor, bella gioia, bella speme, la produce un fido amor. CORO, GINEVRA E ARIODANTE Cerchi ognuno d’imitar la costanza, la speranza che vi fa lieti esultar. Ballo Ninfe, Pastori e Pastorelle. Gavotte Musette I Lentement Musette II Andante Allegro Coro CORO, GINEVRA E ARIODANTE Cerchi ognuno d’imitar la costanza, la speranza che vi fa lieti esultar. To the extent possible under law, REIKO KOHhave waived all copyright and related or neighboring rights to the Japanese text above. This work is published from Japan. Handel,George Frideric/Ariodante/ActⅡ
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Subjects-Professional&Technical-Engineering-Welding? Subjects-Professional&Technical-Engineering-General Subjects-Science-General A Guide to Designing Welds (Handbooks in Welding Technology) Woodhead Publishing? J. Hicks? WoodheadPublishing? J.Hicks? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-General? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-Metallurgy? Subjects-Engineering-Welding? Subjects-Professional&Technical-Engineering-MaterialsScience-Metallurgy? Subjects-Professional&Technical-Engineering-Welding? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-General Design and Analysis of Fatigue Resistant Welded Structures Woodhead Publishing? D. Radaj? WoodheadPublishing? D.Radaj? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-General? Subjects-Engineering-Materials-Metallurgy? 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Subjects-Science-General ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-TQM? Creative Techniques in Product and Engineering Design A Practical Workbook Woodhead Publishing? D. J. Walker? B. K. Dagger? R. Roy? WoodheadPublishing? D.J.Walker? B.K.Dagger? R.Roy? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Plastics in the Automotive Industry Woodhead Publishing? J. Maxwell? WoodheadPublishing? J.Maxwell? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-Automotive? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Industry? 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Subjects-Science-General The International Nickel Trade (International Trade) Woodhead Publishing? Simon Clow? WoodheadPublishing? SimonClow? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-International-General? Subjects-Engineering-General? Subjects-Engineering-Materials-Metallurgy? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Science-General The International Silver Trade Woodhead Publishing? Thomas Mohide? WoodheadPublishing? ThomasMohide? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? 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Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Nickel and Chromium Plating Woodhead Publishing? J. K. Dennis? T. E. Such? WoodheadPublishing? J.K.Dennis? T.E.Such? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-General Profitable Computer Aided Engineering Woodhead Publishing? Norman Sandland? WoodheadPublishing? NormanSandland? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? The International Steel Trade (International Trade) Woodhead Publishing? Peter M. Fish? WoodheadPublishing? PeterM.Fish? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Engineering-Materials-Metallurgy? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Science-General The International Lead Trade (International Trade) Woodhead Publishing? Vincent Rich? WoodheadPublishing? VincentRich? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Science-General The International Cotton Trade (International Trade) Woodhead Publishing? Julian Roche? WoodheadPublishing? JulianRoche? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-Exports&Imports? 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作業者：粥 チェック待ち 【英文】 Miniatures belonging to this alien race have a special and peculiar behaviour in the game. Three Antipodes are necessary to compose an intelligent entity, creating one personality with each individual contributing diverse characteristics. For this reason, it costs only 1 Order to activate an Assault Pack of three Antipodes. All the Antipodes in the Pack will then perform the same Skills simultaneously, but make separate rolls to resolve actions. Members of a Pack, in ARO as well as in their own turn, behave always as if they were only one figure. Although they can move in separate ways, they must execute the same Skills in a sole Order and choose the same target, providing only one ARO to enemy miniatures, as with standard oordinated Orders. When a member of a Pack falls, the Antipode group identity suffers a mutilation of its reasoning capacity, with the WIP of each Antipode reduced by -3 for every lost member of the Pack. The Ariadnians have managed to work with Packs of 3 and 4 members, to increase their resistance capacity. If the Assault Pack belongs to an Ariadnian army and they lose their Controller or his Control Device is Disabled, they must make a WIP Roll. If the roll is successful, they continue with the last orders received by the Controller, which usually consists of charging against the enemy. In such a situation, the Pack is still considered as part of the Ariadnian army. If they fail the roll, they must make a d20 roll. With a result of 10 or less, the Pack will use its respective Orders (Impetuous and normal Order) to get off the table through the nearest edge, performing no orders except for Move or Dodge. If the result is over 10, the Pack will enter Frenzy state and go bananas, leaving the control of the Ariadnian player. In the following game rounds, the Antipodes will act before the rest of the players, using their Impetuous Order and their own Order to attack the nearest figure, continuing every turn until either they or all other miniatures on the table are dead. They attack the nearest figure each turn, whether friend or foe. Every time after the Controller’s disappearance the Pack loses one of its members, a WIP roll must be made with the corresponding Modifier per dead Antipode, with results as above. When organizing Groups in an army, the Pack and their Controller will count as two figures and will always be in the same Group. The Pack gives 1 single Order to the Order Reserve, different from the Order given by their Controller. 【和訳】 2.アンチポード（Antipode） このエイリアンに属するミニチュアは、ゲーム内において、特別で独特な動作がある。 ３体のアンチポードは知的な存在を構成するために、個々に貢献して多様な特性を持つ１つの個性を作る。このような理由から、３体のアンティポードのアサルトパックをアクティブにするには１オーダーがかかる。 パックのすべてのアンティポディーズ（Antipodes アンチポードの複数形）は、同時に同じスキルを実行するが、アクションの解決は個別に判定を行う。 パックのメンバーがＡＲＯをする場合、自分のターン同様、彼らは常に１フィギュアであるかのように扱われる。 彼らは別の方向に移動でるが、１つのオーダーで同じスキルを使用し、同じ敵をターゲットに選び、敵は１回のＡＲＯしか得ななど、通常のコーディネーテッド・オーダーと同じように処理をする。 パックのメンバーが脱落した場合、アンチポードのグループは推理能力の限界に変化が生じて、同一性に影響が及び、失われたメンバー１体につき、ＷＩＰに－３の修正を受ける。 アリアドナは彼らの推理能力限界を増やすため、３パックと４メンバーで運用管理している。 アサルトパックがアリアドナ軍に属し、コントローラーを失ったり、コントロールデバイスが無効なった場合、アサルトパックはＷＩＰ判定をする必要がある。 判定に成功した場合、アサルトパックはコントローラーで受けた最後の命令を継続するため、これは通常、敵に対するチャージ移動が成立する。この場合、アサルトパックは未だにアリアドナ軍の一部隊として扱われる。 判定に失敗した場合、彼らはＤ２０をふる必要がある。結果が１０以下だった場合、パックは移動とドッジ以外のオーダーを実行せず、各自のオーダー（インペチュオス・オーダーや、自分のオーダーなど）を使用して一番近いテーブルの端を目指して離脱を図る。 もし結果が１０を上回る場合、パックはフレンジー状態かつアホ（go bananas＝脳みそがバナナになる→アホのスラング）になり、アリアドナプレヤーのコントロールを外れる。ゲーム中、アンチポーデスは各プレイヤーの前に行動し、彼らのインペチュオス・オーダーと自身のオーダーを使用し、戦場に彼らか他のフィギュアが死滅するまで、一番近いフィギュアを襲い続ける。彼らは一番近いフィギュアを毎ターン攻撃する。敵になるか味方になるか。 コントローラーを失ったパックは、メンバーを１体失うたびに、死んだ分のアインチポードの修正を受けてWIP判定を行い、上記の結果に従う。 グループを構成する場合、パックとそのコントローラーは２体のフィギュアとして扱われ、常に同じグループに配属する必要がある。 パックは１オーダーをオーダーリザーブに提供する。パックのコントローラーも個別に１オーダーを（オーダーリザーブに）提供する。
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CHAPTER XXV UP CHAPTER XXVII CHAPTER XXVI The Story Club Is Formed Junior Avonlea found it hard to settle down to humdrum existence again. To Anne in particular things seemed fearfully flat, stale, and unprofitable after the goblet of excitement she had been sipping for weeks. Could she go back to the former quiet pleasures of those faraway days before the concert? At first, as she told Diana, she did not really think she could. "I m positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I ll get used to it, but I m afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don t believe I d really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I m tired. I simply couldn t sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That s one splendid thing about such affairs--it s so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell s bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon s sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy s little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne s birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter s Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I m thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I m in my teens. When I woke this morning it seemed to me that everything must be different. You ve been thirteen for a month, so I suppose it doesn t seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I ll be really grown up. It s a great comfort to think that I ll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she s fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She s actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I m afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don t they? I simply can t talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I m trying to be as much like Mrs. Allan as I possibly can, for I think she s perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn t really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it s proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I m striving very hard to overcome it and now that I m really thirteen perhaps I ll get on better." "In four more years we ll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that s ridiculous. I shall wait until I m seventeen." "If I had Alice Bell s crooked nose," said Anne decidedly, "I wouldn t--but there! I won t say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that s vanity. I m afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there s a rabbit. That s something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They re so white and still, as if they were asleep and dreaming pretty dreams." "I won t mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we re to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it s as easy as wink," said Anne. "It s easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It s called `The Jealous Rival; or In Death Not Divided. I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It s a sad, sweet story. I just cried like a child while I was writing it. It s about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I ve found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she d likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said, `What do you say, darling pet, if we get hitched this fall? And Susan said, `Yes--no--I don t know--let me see --and there they were, engaged as quick as that. But I didn t think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn t done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine s friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking, `Ha, ha, ha. But Bertram saw it all and he at once plunged into the current, exclaiming, `I will save thee, my peerless Geraldine. But alas, he had forgotten he couldn t swim, and they were both drowned, clasped in each other s arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It s so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew s school of critics. "I don t see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you d only cultivate it," said Anne cheeringly. "I ve just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I ll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It s extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane s stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn t know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn t hard for I ve millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You ll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we re so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I m sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I m glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I m having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn t say there was a great deal" was Marilla s encouraging answer. "I m sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn t always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt s pantry and she never had any respect for that minister again. Now, I wouldn t have felt that way. I d have thought that it was real noble of him to confess it, and I d have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That s how I d feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it s high time you had those dishes washed. You ve taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXV UP CHAPTER XXVII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 20 07 (Tue)
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ACT ONE 1.- Overture Scene 1 (Solomon, Zadok, Priests...) 2.- Chorus CHORUS OF PRIESTS Your harps and cymbals sound to great Jehovah’s praise; unto the Lord of Hosts your willing voices raise. 3.- Air LEVITE Praise ye the Lord for all his mercies past, whose truth, whose justice will for ever last. 4.- Chorus PRIESTS With pious heart, and holy tongue, resound your Maker’s name, till distant nations catch the song, and glow with holy flame. 5.- Accompagnato SOLOMON Almighty pow’r, who rull’st the earth and skies, and bade gay order form confusion rise; whose gracious hand reliev’d Thy slave distress’d, with splendour cloath’d me, and with knowledge bless’d Thy finish’d Temple with Thy presence grace, and shed Thy heav’nly glories o’er the place. 6.- Recitative ZADOK Imperial Solomon, thy pray’rs are heard. See, from the op’ning skies descending flames involve the sacrifice; and lo! within the sacred dome that gleamy light, profusely bright, declares the Lord of Hosts is come. 7.- Air Sacred raptures cheer my breast, rushing tides of hallow’d zeal, joys too fierce to be express’d, in this swelling heart I feel. Warm enthusiastic fires in my panting boson roll, hope of bliss, that ne’er expires, dawns upon my ravish’d soul. 8.- Chorus CHORUS OF ISRAELITES Throughout the land Jehovah’s praise record, for full of pow’r and mercy is the Lord. 9.- Recitative SOLOMON Bless’d be the Lord, who look’d with gracious eyes upon His vassals’ humble sacrifice, and has with an approving smile my work o’erpaid, and grac’d the pile. 10.- Air What though I trace each herb and flow’r, that drink the morning dew, did I not own Jehovah’s pow’r, how vain were all I knew. Say what’s the rest but empty boast, the pedant’s idle claim, who having all the substance lost attempts to grasp a name. Scene 2 (The previous and the Queen) 11.- Recitative SOLOMON And see my Queen, my wedded love, you soon my tenderness shall prove; a palace shall erect its head, of cedar built, with gold bespread; methinks the work is now begun, the axe resounds on Lebanon, and see, bedeck’d with canvas wings, the dancing vessel lightly springs, while Ophir’s mines, well pleas’d, disclose the wealth that in their entrails glows. 12.- Air QUEEN Bless’d the day when first my eyes saw the wisest of the wise! Bless’d the day when I was led to ascend the nuptial bed! But completely bless’d the day, on my bosom as he lay, when he call’d my charms divine, vowing to be only mine. 13.- Recitative SOLOMON Thou fair inhabitant of Nile, rejoice thy lover with a smile! QUEEN Oh monarch, with each virtue bless’d, the brightest star that gilds the east no joy I know beneath the sun, but what’s compris’d in Solomon. With thee, how quickly fled the winter’s night, and short is summer’s length of light. 14.- Duet QUEEN Welcome as the dawn of day to the pilgrim on his way, whom the darkness caus’d to stray, is my lovely King to me. SOLOMON Myrtle grove, or rosy shade, breathing odours through the glade to refresh the village maid, yields in sweets, my queen, to thee. 15. Recitative ZADOK Vain are the transient beauties of the face, Where virtue fails to animate each grace; Bright and more bright her radiant face appears, Nor dreads the canker d tooth of rolling years O er such a partner comfort spreads her wing, And all our life is one perpetual spring. 16. Air Indulge thy faith and wedded truth With the fair partner of thy youth; She s ever constant, ever kind, Like the young roe, or loving hind. 17.- Recitative SOLOMON My blooming fair, come, come away, my love admits of no delay. 18.- Air Haste, haste to the cedar grove, where fragrant spices bloom, and am’rous turtles love, beneath the pleasing gloom, while tinkling down the hill, avoiding hateful day, the little murm’ring rill in whispers glides away. 19.- Recitative QUEEN When thou art absent from my sight, the court I shun, and loathe the light. 20.- Air With thee th’unshelter’d moor I’d tread, nor once of fate complain, though burning suns flash’d round my head, and cleav’d the barren plain. Thy lovely form alone I prize, ‘Tis thou that canst impart continual pleasure to my eyes, and gladness to my heart. 21.- Chorus CHORUS May no rash intruder disturb their soft hours; to form fragrant pillows, arise, oh ye flow’rs! Ye zephirs, soft-breathing, their slumbers prolong, while nightingales lull them to sleep with their song. ACT ONE 1.- Overture Scene 1 (Solomon, Zadok, Priests...) 2.- Chorus CHORUS OF PRIESTS Your harps and cymbals sound to great Jehovah’s praise; unto the Lord of Hosts your willing voices raise. 3.- Air LEVITE Praise ye the Lord for all his mercies past, whose truth, whose justice will for ever last. 4.- Chorus PRIESTS With pious heart, and holy tongue, resound your Maker’s name, till distant nations catch the song, and glow with holy flame. 5.- Accompagnato SOLOMON Almighty pow’r, who rull’st the earth and skies, and bade gay order form confusion rise; whose gracious hand reliev’d Thy slave distress’d, with splendour cloath’d me, and with knowledge bless’d Thy finish’d Temple with Thy presence grace, and shed Thy heav’nly glories o’er the place. 6.- Recitative ZADOK Imperial Solomon, thy pray’rs are heard. See, from the op’ning skies descending flames involve the sacrifice; and lo! within the sacred dome that gleamy light, profusely bright, declares the Lord of Hosts is come. 7.- Air Sacred raptures cheer my breast, rushing tides of hallow’d zeal, joys too fierce to be express’d, in this swelling heart I feel. Warm enthusiastic fires in my panting boson roll, hope of bliss, that ne’er expires, dawns upon my ravish’d soul. 8.- Chorus CHORUS OF ISRAELITES Throughout the land Jehovah’s praise record, for full of pow’r and mercy is the Lord. 9.- Recitative SOLOMON Bless’d be the Lord, who look’d with gracious eyes upon His vassals’ humble sacrifice, and has with an approving smile my work o’erpaid, and grac’d the pile. 10.- Air What though I trace each herb and flow’r, that drink the morning dew, did I not own Jehovah’s pow’r, how vain were all I knew. Say what’s the rest but empty boast, the pedant’s idle claim, who having all the substance lost attempts to grasp a name. Scene 2 (The previous and the Queen) 11.- Recitative SOLOMON And see my Queen, my wedded love, you soon my tenderness shall prove; a palace shall erect its head, of cedar built, with gold bespread; methinks the work is now begun, the axe resounds on Lebanon, and see, bedeck’d with canvas wings, the dancing vessel lightly springs, while Ophir’s mines, well pleas’d, disclose the wealth that in their entrails glows. 12.- Air QUEEN Bless’d the day when first my eyes saw the wisest of the wise! Bless’d the day when I was led to ascend the nuptial bed! But completely bless’d the day, on my bosom as he lay, when he call’d my charms divine, vowing to be only mine. 13.- Recitative SOLOMON Thou fair inhabitant of Nile, rejoice thy lover with a smile! QUEEN Oh monarch, with each virtue bless’d, the brightest star that gilds the east no joy I know beneath the sun, but what’s compris’d in Solomon. With thee, how quickly fled the winter’s night, and short is summer’s length of light. 14.- Duet QUEEN Welcome as the dawn of day to the pilgrim on his way, whom the darkness caus’d to stray, is my lovely King to me. SOLOMON Myrtle grove, or rosy shade, breathing odours through the glade to refresh the village maid, yields in sweets, my queen, to thee. 15. Recitative ZADOK Vain are the transient beauties of the face, Where virtue fails to animate each grace; Bright and more bright her radiant face appears, Nor dreads the canker d tooth of rolling years O er such a partner comfort spreads her wing, And all our life is one perpetual spring. 16. Air Indulge thy faith and wedded truth With the fair partner of thy youth; She s ever constant, ever kind, Like the young roe, or loving hind. 17.- Recitative SOLOMON My blooming fair, come, come away, my love admits of no delay. 18.- Air Haste, haste to the cedar grove, where fragrant spices bloom, and am’rous turtles love, beneath the pleasing gloom, while tinkling down the hill, avoiding hateful day, the little murm’ring rill in whispers glides away. 19.- Recitative QUEEN When thou art absent from my sight, the court I shun, and loathe the light. 20.- Air With thee th’unshelter’d moor I’d tread, nor once of fate complain, though burning suns flash’d round my head, and cleav’d the barren plain. Thy lovely form alone I prize, ‘Tis thou that canst impart continual pleasure to my eyes, and gladness to my heart. 21.- Chorus CHORUS May no rash intruder disturb their soft hours; to form fragrant pillows, arise, oh ye flow’rs! Ye zephirs, soft-breathing, their slumbers prolong, while nightingales lull them to sleep with their song. Handel,George Frideric/Solomon/II
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Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Reference-BusinessSkills-PublicSpeaking? Subjects-Reference-Writing? Subjects-Science-General Subjects-Science-Technology-General&Reference Case Studies in Engineering Design Butterworth-Heinemann? Clifford Matthews? Butterworth-Heinemann? CliffordMatthews? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Vehicle and Engine Technology Edward Arnold? Heinz Heisler? EdwardArnold? HeinzHeisler? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Advancing With Autocad R13 for Windows Butterworth-Heinemann? Robert McFarlane? Butterworth-Heinemann? RobertMcFarlane? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-Microsoft-OperatingSystems-Windows-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Windows-Graphics,Animation&Illustration? Subjects-Computers&Internet-Home&Office-Windows-DesktopPublishing? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Practical Approach to Motor Vehicle Engineering Edward Arnold? Allan Bonnick? Derek Newbold? EdwardArnold? AllanBonnick? DerekNewbold? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Customize? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Concrete Petrography A Handbook of Investigative Techniques Butterworth-Heinemann? D. A. St. John? A. B. Poole? I. Sims? D. A. John? Butterworth-Heinemann? D.A.St.John? A.B.Poole? I.Sims? D.A.John? ジャンル別? Subjects-Engineering-Civil-Construction-Materials? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-General? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-Materials? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Software Development for Engineers With C, Pascal, C++, Assembly Language, Visual Basic, Html, Javascript and Java Butterworth-Heinemann? William J. Buchanan? Butterworth-Heinemann? WilliamJ.Buchanan? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-HTML-General? Subjects-Computers&Internet-WebDevelopment-Scripting&Programming-Java-General? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-ComputerScience-Algorithms-AssemblyLanguageProgramming? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-General? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-WindowsProgramming? Subjects-Computers&Internet-Programming-Languages&Tools-Pascal? Subjects-Computers&Internet-Programming-Languages&Tools-General? Subjects-Computers&Internet-Programming-Languages&Tools-VisualBasic? Subjects-Computers&Internet-OperatingSystems-Unix-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Basic Electrical Installation Work Edward Arnold? Trevor Linsley? EdwardArnold? TrevorLinsley? ジャンル別? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? Advanced Electrical Installation Work Nvq Level III Edward Arnold? Trevor Linsley? EdwardArnold? TrevorLinsley? ジャンル別? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-ElectricMachinery&Motors? Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Engineering-General? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricMachinery&Motors? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? Maths for Engineers A Student's Handbook Butterworth-Heinemann? Ruth Rees? Mayveen Blackwell? Butterworth-Heinemann? RuthRees? MayveenBlackwell? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Practical Process Control Butterworth-Heinemann? Anthony Seal? Butterworth-Heinemann? AnthonySeal? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Chemical-General? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Vehicle Electronic Systems and Fault Diagnosis Butterworth-Heinemann Ltd? Allan W.M. Bonnick? Butterworth-HeinemannLtd? AllanW.M.Bonnick? ジャンル別? Substores-UnknownASINs-9? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Strength of Materials and Structures Butterworth-Heinemann? John Case? A. H. Chilver? C. T. F. Ross? Henry Chilver? Butterworth-Heinemann? JohnCase? A.H.Chilver? C.T.F.Ross? HenryChilver? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Designing Capable and Reliable Products Butterworth-Heinemann Ltd? K. Swift? M. Raines? J. Booker? Butterworth-HeinemannLtd? K.Swift? M.Raines? J.Booker? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Electrical Installation Calculations Newnes? Albert James Watkins? Newnes? AlbertJamesWatkins? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-PowerSystems? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-PowerSystems? Subjects-Science-General Electrical Installation Calculations Newnes? Albert James Watkins? Newnes? AlbertJamesWatkins? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Mathematics-Applied-General? The Hydraulics of Open Channel Flow An Introduction Butterworth-Heinemann? Hubert Chanson? Butterworth-Heinemann? HubertChanson? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Hydraulics? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Hydraulics? Subjects-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydraulics? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-Hydraulics? Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-FluidMechanics? Advanced Automotive Fault Diagnosis Butterworth-Heinemann? Tom Denton? Butterworth-Heinemann? TomDenton? ジャンル別? Subjects-Engineering-Automotive-SafetyEngineering? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-Automotive-SafetyEngineering? Subjects-Professional&Technical-Engineering-General Introduction to Microelectronic Systems The Pic 16F84 Microcontroller Edward Arnold? Martin Bates? EdwardArnold? MartinBates? ジャンル別? Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-General? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-PICMicrocontroller? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Automation? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-ControlEngineering-Controllers? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-Controllers? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Careers-VocationalGuidance? Subjects-Science-General The Finite Element Method Butterworth-Heinemann? O. C. Zienkiewicz? Butterworth-Heinemann? O.C.Zienkiewicz? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? Beginning Autocad 2000 Edward Arnold? Robert McFarlane? McFarlane? EdwardArnold? RobertMcFarlane? McFarlane? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? The Space Shuttle Operators Manual Ballantine Books (P)? Kerry Mark Joels? Gregory P. Kennedy? David Larkin? BallantineBooks(P)? KerryMarkJoels? GregoryP.Kennedy? DavidLarkin? ジャンル別? Substores-UnknownASINs-61? Subjects-Engineering-General? Subjects-Entertainment-Puzzles&Games-TravelGames? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Richard's New Bicycle Book Ballantine Books (P)? Richard Ballantine? John Batchelor? Peter Williams? BallantineBooks(P)? RichardBallantine? JohnBatchelor? PeterWilliams? ジャンル別? Substores-UnknownASINs-9? Subjects-Engineering-General? Subjects-Entertainment-Puzzles&Games-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Professional&Technical-Engineering-General Subjects-Sports-General? The Ancient Engineers Ballantine Books (P)? L. Sprague De Camp? BallantineBooks(P)? L.SpragueDeCamp? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Philosophy-Metaphysics? Subjects-Professional&Technical-Engineering-General Subjects-Religion&Spirituality-OtherPractices-Mysticism? Jane's World Aircraft Recognition Handbook Macdonald & J? Derek Wood? Macdonald&J? DerekWood? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Car Mascots Macdonald & J? G Di Sirignano? D Sulzberger? Macdonald&J? GDiSirignano? DSulzberger? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Early Aviation at Farnborough Macdonald? Percy B Walker? Macdonald? PercyBWalker? ジャンル別? Subjects-Engineering-General? Subjects-History-Europe-England-General? Subjects-Professional&Technical-Engineering-General Early Aviation (Lib. of the 20th Cent.) Macdonald? Sir Robert Saundby? Macdonald? SirRobertSaundby? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Air Adventures Macdonald? Graeme Cook? Macdonald? GraemeCook? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Jane's Pocket Book of Airship Development Macdonald? Lord Ventry? Eugene Kolesnik? Macdonald? LordVentry? EugeneKolesnik? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Milestones in a Motoring Life Queen Anne? Dudley Noble? QueenAnne? DudleyNoble? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Vickers Aircraft Since 1908 Putnam & Co.? C F Andrews? Putnam&Co.? CFAndrews? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General McDonnell Douglas Aircraft Since 1920 Bodley Head? Rene J. Francillon? BodleyHead? ReneJ.Francillon? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Professional&Technical-Engineering-General Fairey Aircraft Since 1915 Putnam & Co.? H A Taylor? Putnam&Co.? HATaylor? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Airspeed Aircraft Since 1931 Putnam & Co.? H A Taylor? Putnam&Co.? HATaylor? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Miles Aircraft Since 1925 Putnam & Co.? Don Lambert Brown? Putnam&Co.? DonLambertBrown? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General The World's Airliners (Putnam World Aeronautical Library) Bodley Head Children s Books? John Stroud? BodleyHeadChildren sBooks? JohnStroud? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Teens-Science&Technology-General? World's Helicopters The Bodley Head Ltd? Joan Bradbrooke? TheBodleyHeadLtd? JoanBradbrooke? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General The World's Great Pioneer Flights (World Aeronautics Library) Bodley Head Children s Books? Oliver Tapper? BodleyHeadChildren sBooks? OliverTapper? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Teens-Science&Technology-General? The World's Civil Marine Aircraft (World Aeronautics Library) Bodley Head Children s Books? John Stroud? BodleyHeadChildren sBooks? JohnStroud? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Teens-Science&Technology-General? Subjects-Professional&Technical-Engineering-General 洋書
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Market Analysis Advancement and improvement in equipment and gaming programming are key parts driving the advancement of the overall PC game market. The rising entry of internet services combined with the simple accessibility and openness of games across the globe is also expected to push the marked improvement in the approaching years. PC game architects are in like manner persistently improving and stretching the innovative boundaries in regard to the ongoing delivery of illustrations in the computer game industry, as would be considered normal to fuel the advancement of the overall video gaming market. Further, the ascent of cloud gaming is relied upon to drive market development. Most recent advances in state-of-the-art cloud development have changed cloud gaming into this present reality. In cloud gaming, the server, where all games are put away, does all the calculation work, which joins game scene conveying, game reasoning getting ready, video encoding, and video online. For instance, a couple of organizations, OnLive, G-Cluster, StreamMyGame, Gaikai, and T5-Labs, are at this point business cloud gaming administrations. This new region is similarly considered to be a veritable competitor for the regular game market. This has provoked significant computer game organizations, for example, Sega, Ubisoft, Epic Games, Atari, Warner Bros, Disney Interactive studio, to layout associations with OnLive to circulate their games. Likewise, in May 2020, Nvidia GeForce Now added 19 games to its cloud gaming library and further declared an additional18 new games that will be accessible on GeForce NOW. Moreover, the gaming area is seeing broad activity from new organizations that are further inciting market advancement. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10594 Market Segmentation The Global Video Game Market has been portioned in light of gaming gadgets, gaming type, end-client, and locale. The worldwide computer game market is isolated into the control center, tablet and cell phone in light of gaming gadgets. The cell phone gaming fragment is relied upon to hold the biggest portion of the market. It is relied upon to develop at a quicker rate during the estimated time frame inferable from the rising interest for portable games and various mechanical progressions on the lookout, for example, AR, VR, cloud gaming. As indicated by research, there were in excess of 200 million portable game players last year in the United States alone. In view of gaming type, the worldwide video gaming market is partitioned into on the web and disconnected gaming. The web-based gaming section is relied upon to hold the biggest portion of the piece of the pie, and it is relied upon to develop at the quickest rate during the figure time frame. The rise of 5G organizations and accessibility of limitless information plans are additionally expected to be key variables towards the achievement of web-based gaming across the globe, as most gamers normally like messing around online on their cell phones. The expanding administrations and interest in the 5G framework are likewise vital towards this achievement. In light of end-client, the worldwide market is separated into children, teens and grown-ups. The teen portion is relied upon to hold the biggest portion of the piece of the pie and is relied upon to develop at the quickest rate during the gauge time frame. Regional Analysis The Global Video Game Market is sectioned into Asia-Pacific, North America, Europe, the Middle East and Africa, and South America. Asia-Pacific is relied upon to hold the biggest offer in the worldwide video gaming business, where countries, for instance, China, Japan, and South Korea, show a high potential in market advancement. The Chinese endeavors are ready to acknowledge the business openings carried by worldwide digitalization because of the ascent in the computerized biological system. Further, 5G innovation is also driving the versatile-based VR gaming market in China. Key Players The fiercely competitive video game market appears fragmented, with many large small players forming a competitive landscape. Product launch, agreement partnership, M A, and expansion are strategic initiatives traced from recent market proceedings. Players leading the video game market are Nintendo Co. Ltd (Japan), Tencent Holdings Limited (China), Activision Blizzard Inc. (US), Ubisoft Entertainment SA (France), Electronic Arts Inc. (US), and Qualcomm Wireless Communications Technologies (China) Limited, among others. Industry News May 2020 - Microsoft has uncovered the send-off of the game Red Nexus in Xbox Series X before the finish of 2020. The game professes to help the critical specialized highlights of the Xbox Series X, for example, ongoing beam following, 120-outlines per-second activity, and super-quick stacking times. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/video-game-market-10594 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment